FABRIZIO MONTEVERDE

He began his artistic activity in 1976 as an actor and assisting the director Loffredo Muzzi in the show “Un giorno Lucefero” presented at the Spoleto’s festival and the Piccolo Teatro in Milan.
While working for the theatre he begins to study dance at the Centro Professional in Rome, studying with teachers like Carolyn Carlson, Moses Pendleton, Alan Sener, Holy Schiffer, Bruno Dizien, Roberta Garrison, Peter Goss, Daniel Lewis.
He worked with Giancarlo Cobelli in “Orfeo” of Sartorio, with Pier Alli in “Giulia round Giulia” with music by S. Bussotti for the Festival of Avignon, and with Aldo Rostagno in “Corpus Alenum” by Maderna for the Maggio Musicale Fiorentino.
In 1982 he danced in Teatrodanza’s company directed by Elsa Piperno and Joseph Fontano.
In 1984 he moved to Paris where he continued studying contemporary dance.
Returning to Rome he prepares some performances and in ’85 the Theatre Spazio Zero commissions his show “Bagni Acerbi” that immediately puts him among the new names of Italian choreography. From this experience is born the Baltic Company of which he was Artistic Director from 1986 to 1992.
In 1988 he begins his collaboration with the Ballet di Toscana directed by Cristina Bozzolini, for whom he creates the piece “Era Eterna” with music by F. Schubert and reedit his first creation “Bene Mobile” which forges a solid and intense artistic relationship with BdT until its disclosure in 2000.
In 1989 he debuts in the theatrical direction with “Three Sisters” by A. Chekhov and creates his first full length ballet “Juliet and Romeo” for the Ballet di Toscana, after which followed “Othello”, Pinocchio”, “The Tempest” and “Bluebeard”.
In 1996 he wins the “G. Tani” prize and for the best Italian choreographer by “Danza e Danza”.

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